[{"@context":"https:\/\/schema.org\/","@type":"Article","@id":"https:\/\/www.protonix.sk\/maximum-pozitku-z-minima\/#Article","mainEntityOfPage":"https:\/\/www.protonix.sk\/maximum-pozitku-z-minima\/","headline":"Maximum p\u00f4\u017eitku z minima","name":"Maximum p\u00f4\u017eitku z minima","description":"Umeleck\u00fd smer minimalizmus sprev\u00e1dzal kult\u00faru 20. storo\u010dia. Ide o zauj\u00edmav\u00fd v\u00fdtvarn\u00fd smer, kedy kr\u00e1sa spo\u010d\u00edva v jednoduchosti. Cenili sa umeleck\u00e9 v\u00fdtvory, ktor\u00e9 vynikali svojou jednoduchos\u0165ou a minimalizmom. Teda vytvorte dielo, stavbu, ma\u013ebu,hudbu, ktor\u00e1 obsahuje minimum farieb, vzorov, hudobn\u00fdch n\u00e1strojov a predmetov, no pritom mus\u00ed zauja\u0165 a oslovi\u0165. Na umeleck\u00e9 stavby sa pou\u017e\u00edval minim\u00e1lny v\u00fdber materi\u00e1lu,","datePublished":"2025-02-26","dateModified":"2023-04-25","author":{"@type":"Person","@id":"https:\/\/www.protonix.sk\/author\/#Person","name":"protonix.sk\n","url":"https:\/\/www.protonix.sk\/author\/","identifier":1,"image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/93869824c8aa580f0d16049ad31e69846ffc925e0cbb2826cc9554f53943da69?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/93869824c8aa580f0d16049ad31e69846ffc925e0cbb2826cc9554f53943da69?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"protonix.sk","logo":{"@type":"ImageObject","@id":"\/logo.png","url":"\/logo.png","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/www.protonix.sk\/wp-content\/uploads\/img_a286259_w2005_t1521830325.jpg","url":"https:\/\/www.protonix.sk\/wp-content\/uploads\/img_a286259_w2005_t1521830325.jpg","height":0,"width":0},"url":"https:\/\/www.protonix.sk\/maximum-pozitku-z-minima\/","about":["Kult\u00fara"],"wordCount":399,"articleBody":"\tUmeleck\u00fd smer minimalizmus sprev\u00e1dzal kult\u00faru 20. storo\u010dia. Ide o zauj\u00edmav\u00fd v\u00fdtvarn\u00fd smer, kedy kr\u00e1sa spo\u010d\u00edva v jednoduchosti. \tCenili sa umeleck\u00e9 v\u00fdtvory, ktor\u00e9 vynikali svojou jednoduchos\u0165ou a minimalizmom. Teda vytvorte dielo, stavbu, ma\u013ebu,hudbu, ktor\u00e1 obsahuje minimum farieb, vzorov, hudobn\u00fdch n\u00e1strojov a predmetov, no pritom mus\u00ed zauja\u0165 a oslovi\u0165.\tNa umeleck\u00e9 stavby sa pou\u017e\u00edval minim\u00e1lny v\u00fdber materi\u00e1lu, v obrazoch sa pou\u017e\u00edvalo minimum vzorov a opakovali sa tie ist\u00e9 farby, hudba sa skladala z obmedzen\u00e9ho mno\u017estva n\u00e1strojov, pri\u010dom sa t\u00f3ny opakovali.\tNo aj napriek tomu spolo\u010dnos\u0165 toto umenie oslovilo. “ V jednoduchosti je kr\u00e1sa“ je zrejme pravdiv\u00e9 tvrdenie.\tMysl\u00edm si, \u017ee \u013eud\u00ed tieto v\u00fdtvory zaujali hlavne preto, \u017ee sa na ne dalo \u013eahko s\u00fastredi\u0165. Neboli v nich okolit\u00e9 veci, ktor\u00e9 by n\u00e1s rozptylovali a odr\u00e1dzali na\u0161u pozornos\u0165 od toho, \u010do je naozaj zauj\u00edmav\u00e9 a kr\u00e1sne. \tStavba bola zlo\u017een\u00e1 z minima materi\u00e1lu, no na prv\u00fd poh\u013ead sme videli, \u017ee m\u00e1 dokonal\u00fd tvar. Na obr\u00e1zku sme videli m\u00e1lo vzorov a farieb, no ihne\u010f\u00a0 vid\u00edme jeho podstatu a kr\u00e1snu, v\u00fdsti\u017en\u00fa ma\u013ebu. V hudbe po\u010dujeme mal\u00fd po\u010det n\u00e1strojov, no mel\u00f3dia a jednoduch\u00e9 t\u00f3ny si r\u00fdchlo zapam\u00e4t\u00e1me a c\u00edtime n\u00e1vykov\u00fa mel\u00f3diu, ktor\u00e1 je v\u0161ak pr\u00edjemn\u00e1.\tTeda niet divu, \u017ee tento smer zaujal mnoh\u00fdch \u013eud\u00ed a je ve\u013ekou s\u00fa\u010das\u0165ou kult\u00fary dvadsiateho storo\u010dia.\t\t\u010co sa t\u00fdka hudobn\u00e9ho \u0161t\u00fdlu, ten znova o\u017eil v osemdesiatich a dev\u00e4\u0165desiatich rokoch. V osemdesiatich rokoch m\u00e1 podobu tvorby na syntetiz\u00e1toroch, ktor\u00e9 boli v tej dobe popul\u00e1rne a ka\u017ed\u00e1 modern\u00e1 kapela ich skr\u00e1tka musela ma\u0165. Nebol to v\u0161ak mix syntetiz\u00e1torov s rockov\u00fdmi prvkami \u010di new wave. Kapele sta\u010dilo, aby\u00a0 sa skladala z dvoch \u013eud\u00ed, niekedy \u0161lo dokonca iba o jedn\u00e9ho \u010dlena. Pou\u017e\u00edval sa iba syntetiz\u00e1tor, pomocou ktor\u00e9ho kapely vyd\u00e1vali cel\u00fa pesni\u010dku p\u00e1r t\u00fdch ist\u00fdch, opakuj\u00facich sa t\u00f3nov, \u010di zvukov\u00fdch efektov. \tV dev\u00e4\u0165desiatich rokoch v\u0161ak u\u017e bolo v m\u00f3de Techno a House. Minimalizmus v\u0161ak sp\u013a\u0148al svoju \u00falohu i v tomto obdob\u00ed, pomocou techno n\u00e1strojov.                                                                                                                                                                                                                                                                                                                                                                                         4.2\/5 - (4 votes)        "},{"@context":"https:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"name":"Maximum p\u00f4\u017eitku z minima","item":"https:\/\/www.protonix.sk\/maximum-pozitku-z-minima\/#breadcrumbitem"}]}]